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crafting a sustainable modernity towards a maker aesthetics of production and consumption aims & themes key notes & referees workshops crafting in industry the well-maker-space making leaders – curating maker cultures programme kanghyo lee – in performance key dates register submit full paper accepted abstracts Öhlund, emily reid jennifer huckfield, sophie vettese, samantha bennett, julia padovani, whittaker, clio, paul grayson, john neal, gareth hackney, rana, fiona, mah mclaughlin, beth andrews, tabatha johnston, rachel wimperis , niamh lily salovaara, mari hector, philip hernandez, lucie blom, french, briscoe, jeroen, tara, gerard illner, antje head, ross harvey, pogson, salani, bridget, katherine, giorgio twigger holroyd, amy hveger child , katharina thomas, nicola astfalck, laura bradshaw-heap, rachel darbourne. (co-written paper), jivan cocchiarella & van den boom, fabrizio & judith melsop, susan lung , carole frances ives, jamilla shaikh-farooqui, amneh kangas, kaiju stauch, susanne mccallum, jo abdin, mohammad ruhul england, lauren esteve, chele koulidou, wallace, smith, nantia, jayne, neil birkbeck , eimer majumdar, santanu cleveland; walton, peter; robyn laird, melissa 'koomen' & 'blundel', 'philip' & 'richard' kıyak ingin, toker, altay, tarcan, aslı, ayşenaz, can, berilsu pengelly, jon stevens, james thompson, vettese, paul, samantha liggett, dean diamond, kandy rustagi, shalu salani, giorgio corbin, gladek, monaghan, tooze, liz, eva, chris, james kerlaff, paul crabtree, tim oseng-rees, standen, ferris-papi, tyra, ian, juan harper, alison harvey, bridget lambert, ian logge, karl cooke, sally finlayson, mae sarmiento, jeffrey ward, stephanie cappellieri, testa, alba, susanna grain, emma cleveland, donna vones, katharina martin, heather keith, henley, sara, phillippa lopez-henen, mariana risner / gauntlett, isabelle risner and david gauntlett wilson, conor charnley, kim bradshaw-heap, laura (1) tantivit, atinuj (atty) carden, siún boeva, foster, yana, ellen butoliya, deepa subramaniam, nisha harris stevens, brooks fryzlewicz, malgorzata goldthorpe, charlotte marton, helen barber, claire bowman, kate stewart, hannah marshall, rossi, justin, catharine (1) mulji, huma jeffrey jehom, welyne burke, tarah brock , tom an, kang hyun oakley, peter joseph, cleveland, frances, donna sherzad , zolaykha hocking, carol brown, sarah bursaries & mentoring support conference pack location travel and accomodation find us associated exhibitions we the people (are the work) plymouth art weekender contact us journal aims & themes key notes & referees workshops programme kanghyo lee – in performance key dates register submit full paper accepted abstracts bursaries & mentoring support conference pack associated exhibitions contact us journal the 2017 uk making futures conference has ended! we thank all delegates for making this one of the most stimulating in the series to date the quality of the presentations and seriousness and intensity of the debate was apparent throughout - a testimony to the value of this project to the wider sector and to the national / international standing of the event. post conference open access journal publication we are now working on vol 5 of the making futures journal all delegates have been sent notification of the submission process and dates for vol. 5., issn 2042-1664, of the on-line open access journal. target publication date: early may 2018. see under 'journal' for all previous volumes. welcome to the 2017 fifth edition of the biennial making futures international research conference making futures will be held on thursday 21st and friday 22nd september 2017, at the magnificently sited mount edgcumbe house on the river tamar opposite the city of plymouth, devon, uk. making futures is a research platform exploring contemporary craft and maker movements as ‘change agents’ in 21st century society. convinced of the transformative potential of small-scale making and its capacity to contribute to new progressive futures, making futures seeks to situate these material cultures at the centre of the critical issue facing global consumer society: how we move beyond the reductive instrumentalism of ‘homo economicus’ and modes of mass consumption that are destructive of human and non-human natures. as such our purpose is to examine and promote the possibilities for maker economies built around contemporary craft, neo-artisanal design-to-make and related creative micro-entrepreneurs and movements. we believe that these activities have the potential to consolidate into nascent post-industrial maker ecologies that, while not replacing global consumer manufacturing, can nonetheless contribute substantially to progressive economic and social change at local and regional levels, and beyond. worlds first 'fashion hackathon‘ (berlin 2016) organised by wear it berlin brought together 55 high level participants and mentors from all over the world in order to collaborate, work and create fashion tech prototypes within 48 hours in interdisciplinary teams. the projects were presented in a catwalk at kühlhaus berlin. wear it berlin is part of the berlin neo-artisanal maker ecology we will explore in this edition of making futures. fashion hack day 2017 is coming up this may and you can apply as a participant here . also the wear it festival will be taking place in june! picture: laura yona zittrain and rosa weinberg working on stethosuit which made a 2. prize fashion hack day 2016 crafting a sustainable modernity - towards a maker aesthetics of production and consumption . we start with recognition of the seemingly intractable crises (social, economic and environmental) of late modernity. but our concern is to explore this problématique through the optic of contemporary craft and neo-artisanal maker movements, and what might be seen as a new emerging ‘aesthetics’ of production and consumption. therefore, rather than seeing these emergencies as grounds for a sweeping dismissal of the modern project and all its presuppositions, we take our cue from recent commentators who have called for a re-framing of modernity - one that seeks to re-imagine, and reinvest in its socially progressive elements. however, we also take our cue from the making futures community itself and the examples it produces of how we might re-frame, re-imagine and reinvest in the socially progressive possibilities of craft and makers. as this community consistently demonstrates through examples of material thinking-in-action, contemporary craft and maker cultures, so often viewed as inferior and marginal to the political economies of modern life, should be recognised as important components of emerging visions of a progressive future worth striving for. in addressing these concerns, making futures moves between the individual and the social, the personal and the collective, and explores how they can come together in global examples of emerging post-fordist maker economies. (for example, in the last edition we looked closely at the north californian ‘fibreshed’ movement). in this 2017 edition we will turn to explore a european model based on the berlin ‘alternative culture’ of auteur makers - their appreciation for materials and strong commitment to city and neighbourhood, their concern for environmental factors, re-cycling and up-cycling, and overall scepticism towards the regimes of fast fashion, luxury fashion and big brands. building upon many of the themes running through its four previous editions making futures: crafting a sustainable modernity will explore what it means ‘to make’ and its future significations - personally, socially, its possible impact on sustainable agendas, its relation to new technologies, its possible subversion of mass consumption and potential contribution to the emergence of new political economies capable of valuing our needs for social well being and resilient communities that incorporate concerns for human non

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